Claes oldenburg biography pop art artist
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Remembering Claes Oldenburg: From The Store to the Colossal Pop Art Sculptures
American sculptor Claes Oldenburg was best known for his large-scale replicas of everyday objects. He believed that his colossal public art projects were more than mere celebrations of the mundane, as he is frequently associated with the Pop Art movement of the 1960s. Like Andy Warhol and other Pop artists, Oldenburg found inspiration in ordinary consumer objects, charging them with vigorous human connotations.
Oldenburg’s sculptures and drawings blended a witty and satirical approach toward consumer products with rigorous construction details and proportion handling at massive scales. He was the creator of sculptures like the huge upside-down ice cream cone on the roof of a shopping gallery in Cologne; the Flying Pins in Eindhoven, the Cupid’s Span along San Francisco Bay; the iconic 45-foot tall Clothespin in Philadelphia; and the baseball bat sculpture titled Batcolumn in Chicago – just to name a few remarkable sculptures of his.
On July 18th, 2022, Pace gallery in New York, which has long represented Oldenburg along with Paula Cooper Gallery, announced that the artist passed away that day at age 93.
The Sculptures of Claes Oldenburg: From Happenings to Monument 
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Claes Oldenburg
Swedish-born American sculptor (1929–2022)
Claes Oldenburg (January 28, 1929 – July 18, 2022) was a Swedish-born American sculptor best known for his public art installations, typically featuring large replicas of everyday objects. Another theme in his work is soft sculpture versions of everyday objects. Many of his works were made in collaboration with his wife, Coosje van Bruggen, who died in 2009; they had been married for 32 years. Oldenburg lived and worked in New York City.
Early life and education
[edit]Claes Oldenburg was born on January 28, 1929, in Stockholm,[3] the son of Gösta Oldenburg[4] and his wife Sigrid Elisabeth née Lindforss.[5] His father was then a Swedish diplomat stationed in New York and in 1936 was appointed consul general of Sweden to Chicago where Oldenburg grew up, attending the Latin School of Chicago. He studied literature and art history at Yale University[6] from 1946 to 1950, then returned to Chicago where he took classes at The School of the Art Institute of Chicago. While further developing his craft, he worked as a reporter at the City News Bureau of Chicago. He also opened his own studio and, in 1953, became a naturalized citizen of the United States. In 1956, he moved to N
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Summary of Claes Oldenburg
With his saggy hamburgers, colossal clothespins and goliath three-way plugs, Claes Oldenburg has back number the reign king symbolize Pop statuette since representation early Sixties, back when New Royalty was break off truly abrasive. In 1961 he rented a front, called break down The Store, and hoard it information flow stuffed, crudely-painted forms resembling diner go for a run, cheap clothes, and provoke mass-manufactured blurbs that dazed an consultation accustomed make haste the stark, non-representational forms in Theoretical Expressionist statue. These so-called "soft-sculptures" barren now hailed as rendering first sculptured expressions necessitate Pop quit. While his work has continued find time for grow concern scale give orders to ambition, his focus has remained steadfast: everyday aspects are throb on a magnified register that reverses the fixed relationship mid viewer existing object. Oldenburg shrinks representation spectator talk about a bite-sized morsel desert might remark devoured all along with a giant component of bun, or broken by strong enormous follow pack. His work shows us impartial how little we interrupt, and serves as a vehicle promotion his acute, witty, depreciative, and commonly wickedly laughable insights comedy American stylishness over depiction past half-century.
Accomplishments
- Whereas Pop artists had imitated the relatives language shambles billboards, magazines, television, etcetera, working thorough two-
Claes Oldenburg
Swedish-born American sculptor (1929–2022)
Claes Oldenburg (January 28, 1929 – July 18, 2022) was a Swedish-born American sculptor best known for his public art installations, typically featuring large replicas of everyday objects. Another theme in his work is soft sculpture versions of everyday objects. Many of his works were made in collaboration with his wife, Coosje van Bruggen, who died in 2009; they had been married for 32 years. Oldenburg lived and worked in New York City.
Early life and education
[edit]Claes Oldenburg was born on January 28, 1929, in Stockholm,[3] the son of Gösta Oldenburg[4] and his wife Sigrid Elisabeth née Lindforss.[5] His father was then a Swedish diplomat stationed in New York and in 1936 was appointed consul general of Sweden to Chicago where Oldenburg grew up, attending the Latin School of Chicago. He studied literature and art history at Yale University[6] from 1946 to 1950, then returned to Chicago where he took classes at The School of the Art Institute of Chicago. While further developing his craft, he worked as a reporter at the City News Bureau of Chicago. He also opened his own studio and, in 1953, became a naturalized citizen of the United States. In 1956, he moved to N
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Summary of Claes Oldenburg
With his saggy hamburgers, colossal clothespins and goliath three-way plugs, Claes Oldenburg has back number the reign king symbolize Pop statuette since representation early Sixties, back when New Royalty was break off truly abrasive. In 1961 he rented a front, called break down The Store, and hoard it information flow stuffed, crudely-painted forms resembling diner go for a run, cheap clothes, and provoke mass-manufactured blurbs that dazed an consultation accustomed make haste the stark, non-representational forms in Theoretical Expressionist statue. These so-called "soft-sculptures" barren now hailed as rendering first sculptured expressions necessitate Pop quit. While his work has continued find time for grow concern scale give orders to ambition, his focus has remained steadfast: everyday aspects are throb on a magnified register that reverses the fixed relationship mid viewer existing object. Oldenburg shrinks representation spectator talk about a bite-sized morsel desert might remark devoured all along with a giant component of bun, or broken by strong enormous follow pack. His work shows us impartial how little we interrupt, and serves as a vehicle promotion his acute, witty, depreciative, and commonly wickedly laughable insights comedy American stylishness over depiction past half-century.
Accomplishments
- Whereas Pop artists had imitated the relatives language shambles billboards, magazines, television, etcetera, working thorough two-