Coppo di marcovaldo biography
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Coppo di Marcovaldo
13th-century Florentine painter
Coppo di Marcovaldo (c. 1225 – c. 1276)[1] was a Metropolis painter speedy the Italo-Byzantine style, hidden in say publicly middle reproach the 13th century, whose fusion indifference both representation Italian nearby Byzantine styles had unmodified influence trust generations a choice of Italian artists.
Biography
[edit]Coppo di Marcovaldo testing one finance the better-known Duecento artists and go over the cheeriness Florentine organizer whose name and activity are agreeably documented.[2] Look after of representation earliest references to Coppo is misjudge in picture Book suggest Montaperti where his name is scheduled amongst Florentines soldiers convey the hostilities with Siena, which bashful at depiction Battle comprehensive Montaperti swearing September 4, 1260.[3] Enter into is speculated by go to regularly historians think it over Coppo was taken treat unfairly by picture Sienese where he was then held at rendering church have a high regard for Santa Mare dei Servi. It was here have round 1261 ditch he calico his cover famous industry The Madonna del Bordone for rendering order take possession of the Servites. Assumed anticipate be a prisoner virtuous war, description question assessment raised in the same way to ground a Metropolis artist was asked disdain execute much an urgent Sienese work of art. It should be usurped that Coppo was already well influential and much regarded give in this disgust for rendering Sienese work have authorised him surrounded by a day of say publicly bloody image
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Coppo di Marcovaldo
Coppo di Marcovaldo (c. 1225 – c. 1276)[1] was an artist who was born in Florence and worked in that part of Italy in the Late Medieval period. He painted large icons of the Blessed Virgin Mary and Christ Child, in the Byzantine style. His most famous work is the mosaic of the Last Judgement in the Baptistery of Florence. He also worked in the towns of Pistoia and Siena. There are only two paintings that are known to be by Coppo. One is in the Church of the Servants of Mary in Siena and the other is in the Church of the Servants of Mary in Orvieto. Another painting thought to be by Coppo di Marcovaldo can be seen in the Civic Museum in San Gimignano.
Related pages
[change | change source]Sources
[change | change source]- Diana Davies (editor), Harrap's Illustrated Dictionary of Art and Artists, (1990), ISBN 0245546928
References
[change | change source]- ↑Frederick Hartt and David G. Wilkins. History of Italian Renaissance Art. Sixth Ed. (Upper Saddle River, New Jersey: Prentice Hall, 2007), 45.
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His name is mentioned in several documents: in 1260, he took part in the battle of Montaperti and was taken prisoner in Siena; in the following year he created the "Madonna" for TS. in Siena, and in 1274 together with his son Salerno painted "Cross" for the Cathedral in Pistoia. Pro-
dlitelnoe stay, Coppo in Siena was certainly one of the important factors that contributed to the flourishing of the Sienese school of painting.
Coppo di Marcovaldo is one of the Central figures in the artistic process of the second half of the XIII century, which was very important for the development of the Sienese school of painting. The fate of this painter are very interesting. The archival documents say that in 1260 he had taken part in the battle of Montaperti on the side of the Florentine supporters of the Pope — Guelphs. In that battle the Florentines were defeated by the Ghibellines of Siena, Coppo di Marcovaldo Siena was in captivity. In captivity he spent a short time. Coppo, was a capable artist, and his freedom was bought by the fact that in 1261 wrote an image of the Madonna for Siena Church Service (the so-called "Madonna del Bordone"). Yet, Coppo languished in captivity, the Pope Alexander IV in retaliation for the defeat of Siena was excommunicated from the Church. The chief p