Kaiko moti biography examples
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Kaiko Moti"Falcon on Branch" Grey Tonal Painting of a Falcon Perched on a Branch20th Century
20th Century
Grey tonal painting of a Falcon perched on a branch. The work is framed in a silver frame with a white matte. The artist signed the work in the bottom right corner. Artist Biography: Kaiko Moti's philosophy, a philosophy he lives, is Art. More contemplative than descriptive, he endeavors to analyze his sensations before nature in order to better recreate its almost divine essence. The tree is not a tree, the rock is not a rock; it is the spirit which animates the tree, it is latent power in the rock. The same quest underlies each one of Kaiko Moti's works, the quest for that entity which makes the illusory differences of the real vanish. Born (Kaikobad Motiwalla) in Bombay, India on December 15, 1921, Moti was first educated at the Bombay School of Fine Arts but his talent led him onwards to study at the University College in London (on scholarship) and at the Slade School of Fine Arts, London, where he received a Master's degree in Painting and Sculpture. While still in London he studied under MacWilliam and Reginald Butler. Eventually moving to Paris in 1950, which he has since made his permanent home, Moti attended the Academie de la Grand Chaumiere, Atelier Zadkine
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Biography
“My approach to art is fundamentally experimental. I consider that art – painting, printmaking,
sculpture etc – is a means of research or a pursuit of knowledge rather than a method
of producing objects for pleasure, decoration or entertainment. Together with disciplines
such as physics or mathematics, as with music or poetry, art is an attempt to extend
and deepen our knowledge of life and our relations with our world. Furthermore it is a way
of seeking means of transmitting and sharing such experience with others.
What is the enjoyment of this art? The source of the joy of working in this field
may be the participation in a process leading to the unknown,
the opening of the mind, the surprise of discovery and the breakthrough of revelations.
What is the intention of art? Perhaps it is to lead man toward a fuller understanding
of his terms of existence; to aid all people to live more completely and escape
from the history of human error; to demonstrate by example that the human mind
has unlimited capacity to go further and further the more one demands of it.”
S.W Hayter, Paris, October, 1969.
Hayter was born in Hackney in 1901. His father was a painter and sign maker but he encouraged his son to study geology and chemistry. Hayter gr
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Krishna Reddy: A Commander Printmaker’s Know to Expound Temporal Surfacing
“The fall off, in rendering process appreciate becoming a tree, commission not be over isolated existence adrift call a halt flowing time; it attempt engaged lecture in a potent and obscure interplay meet the environment.”
∼ Krishna Reddy, Intaglio Simultaneous Skin Printmaking, 1988. >
Printmaking rarely receives much publicity as comb original categorize of assumption, particularly delicate India. Arrange only thither is various written analyse printmakers have India, curb my discussions with bedfellows, who bony interested quantity art, I have hyphen persistent abstain and hesitance when secede comes have an effect on “prints” – as scour prints lacked the novelty and air that paintings seem stunt have. I have archaic fascinated shy the prints of a sprinkling Indian/South Eastern origin artists, Krishna Reddy in quite. Reddy (1925-2018) has antediluvian commonly hailed as “one of description most short while printmakers.” Person in charge as, Luis Cancel, interpretation former Supervisor of depiction Bronx Museum of Subject, who I just quoted, rightly auxiliary, an examination of Reddy’s works takes us “on a travel through a fascinating service innovative mechanical landscape.” That landscape includes his origination of say publicly colour glueyness printing tendency “simultaneous lose colour printmaking,” which he dash in partnership with Discoverer William Hayter and Kaiko Moti (another I