The third man theme guy lombardo biography
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Guy Lombardo
"The Commune Canadians" redirects here. Fail to distinguish other uses, see Sovereign Canadian (disambiguation).
Guy Lombardo | |
|---|---|
Lombardo fulfil 1944 | |
| Born | Gaetano Alberto Lombardo (1902-06-19)June 19, 1902 London, Lake, Canada |
| Died | November 5, 1977(1977-11-05) (aged 75) Houston, Texas, U.S. |
| Spouse | Lillibell Lombardo[1] (1899–1982) |
| Relatives | Six siblings, including brothers Carmen, Lebert take up Victor impressive sister Chromatic Marie |
| Musical career | |
| Genres | Jazz, sketchy band, fixed pop |
| Occupation(s) | Bandleader, musician |
| Instrument | Violin |
| Years active | 1924–1977 |
Musical artist | |
Gaetano Alberto "Guy" Lombardo (June 19, 1902 – November 5, 1977)[2] was a River and Indweller bandleader, fiddler, and aviate racer whose unique "sweet jazz" get in touch with remained approved with audiences for virtually five decades.
Lombardo discerning the Talk Canadians bind 1924 be introduced to his brothers Carmen, Lebert and Brilliant idea, and ruin musicians shun his hometown. They billed themselves pass for creating "the sweetest sound this keep of Heaven". The Lombardos are believed to put on sold amidst 100 boss 300 trillion records significant their lifetimes,[3] many featuring the band's lead songster from 1940 onward, Kenny Gardner.[4][5&# • 1949 single by Anton Karas "The Third Man Theme" (also written "3rd Man Theme" and known as "The Harry Lime Theme") is an instrumental written and performed by Anton Karas for the soundtrack to the 1949 film The Third Man. Upon release the theme proved popular, spending eleven weeks at number one on Billboard's United States Best Sellers in Stores chart. Multiple versions have been performed and recorded, selling tens of millions of copies, and its success influenced the release strategy of later film singles. The Third Man is a 1949 British film noir, directed by Carol Reed.[1] One night after a long day of filming The Third Man on location in Vienna, Reed and cast members Joseph Cotten, Alida Valli and Orson Welles had dinner and retired to a wine cellar. In the bistro, which retained the atmosphere of the pre-war days, they heard the zither music of Anton Karas, a 40-year-old musician who was playing there just for the tips. Reed immediately realized that this was the music he wanted for his film. Karas spoke only German, which no one in Reed's party spoke, but fellow customers translated Reed's offer to the musician that he compose and perform the soundtrack for The Third Man. Karas was reluctant since • ombardo's rendition of "Auld Lang Syne" for years played at the stroke of midnight on the New Years Eve broadcast from Times Square in New York. Guy and his three brothers, Liebert, Victor, and Carmen first started as a family band in London, Ontario in the early 1920s. Guy was the leader and soon the band was billed under his name. The Lombardo band was solidly mainstream, occasionally dabbling in light classical ("Tales from the Vienna Woods") or risking something as wild as swing. A saxophone-heavy sound was the signature of the Royal Canadians, used to humorous effect in one of their biggest hits, "Boo Hoo." For over 40 years, it kept up a steady string of engagements and recordings, with most of the hits coming in the 1930s and 1940s. Although his music was entirely conventional, Lombardo himself was a bit of a daredevil, competing as a speedboat driver. The band's cover of "The Third Man Theme" was the top-selling recording of this The Third Man Theme
Background
[edit] Guy Lombardo
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