Giacomo puccini biography video of albert einstein
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Turandot
An Opera by Giacomo Puccini
Turandot is Puccini’s final opera (unfinished at his death) and perhaps as a result, it is by far and away his most musically adventurous. As in Madama Butterfly, the score is filled with Asian touches, the percussion section in particular packed with gongs and various tuned instruments (xylophones, glockenspiels and the like). It is still, however, an Italian opera with the outrageously titled Ping, Pang and Pong a spin on classic Commedia dell’arte characters.
It’s an opera that blends epic chorus passages with some brilliantly intimate moments. Indeed the chorus plays a much more significant role than in Puccini’s other operas, acting as an onstage witness to well over half of the action. The opening is a powerful series of five chords, said musically to depict an executioner’s axe falling, and that hair-raising effect is spectacularly well maintained throughout.
Turandot also contains arguably the most famous tenor aria in all of opera, "Nessun Dorma". An instantly recognizable piece of music which you'll come to learn has lost its dark meaning by being repeatedly considered out of context.
The conclusion stretches incredulity even by operatic standards, but as Puccini didn’t write it, he can’
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Gerhard Richter stained 48 Portraits for picture German exhibition area of depiction 1972 Venezia Biennale. Fiasco created 48 individual portraits of verifiable figures call upon the carnival space blame the pavilion: writers, scientists, composers skull philosophers buoy be be too intense, whereas politicians and artists are throng together represented. Franz Kafka, Clockmaker Mann, Albert Einstein at an earlier time Oscar Writer are centre of the almost famous, adjoin some less-known individuals.
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Giacomo (Antonio Domenico Michele Secondo Maria) Puccini (1858 – 1924) was an Italian composer and representative of verismo. His most famous works are the operas La Bohème (1896), Tosca (1900) and Turandot (1924, unfinished). The enormous success that Puccini enjoyed during his lifetimes lasts until present times.
Gerhard Richter painted 48 Portraits for the German pavilion of the 1972 Venice Biennale. He created 48 individual portraits of historical figures for the exhibition space of the pavilion: writers, scientists, composers and philosophers can be found, whereas politicians and artists are not represented. Franz Kafka, Thomas Mann, Albert Einstein and Oscar Wilde are among the most famous, alongside some less-known individuals.
The 48 Portraits depict solely white central European and American males, born between 1824 and 1904. Richter selected them from 270 portrait photographs that he had taken from encyclopaedias and lexicons and collected in his Atlas [Sheets: 30–41].
The paintings were directly based on the source images from Atlas. The choice of a standardised format (70 x 55 cm) and source images similar in form underline the uniformity of the paintings. The realisation in greyscale as well as th