Liang kai biography template
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Résumé (fre)
Cette étude concerne le Budai dansant, du musée Kôsetsu à Kobe, considéré au Japon comme un des chefs- d'œuvre de la peinture Chan, traditionnellement attribué à Liang Kai, célèbre peintre chinois du XIIIe siècle.
Nous savons peu de choses sur Liang- Kai. Selon Speiser, il vécut à peu près entre 1140 et 1210. D'autres auteurs reculent sa mort jusqu'en 1224. La légende en a fait un esprit fort, indépendant, refusant l'honneur de la ceinture d'or et quittant l'Académie impériale. On se plait à souligner son penchant pour le vin. Lui-même prit le surnom : Liang Fengzi « enfant du vent », c'est-à-dire vagabond. Il se fit moine et travailla au Liutongsi, un temple Chan près de Hangzhou. Peintre, il fut loué, selon un poème du maître Chan, Jujian (mort en 1246), pour n'utiliser l'encre qu'aussi parcimonieusement que de l'or.
Quant à Budai, c'était peut-être un moine historique de la fin des Tang, récupéré par la légende qui dit que son nom était Qici. Budai, « sac de toile », était son surnom. Toujours selon la légende, il avait un gros ventre, mendiait au marché, mettait les aumônes reçues dans un gros sac jeté sur son épaule et savait prédire le temps et l'avenir. Trois siècles plus tard, il fut considéré comme une incarnation de Maitreya, le Buddha de l'avenir,
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Huineng
Semi-legendary Chinese Chan-master
Dajian Huineng or Hui-neng[1] (traditional Chinese: 大鑒惠能; pinyin: Dàjiàn Huìnéng; Wade–Giles: Ta⁴-chien⁴ Hui⁴-nêng²; Japanese: Daikan Enō; Korean: Daegam Hyeneung; February 27, 638 – August 28, 713), also commonly known as the Sixth Patriarch or Sixth Ancestor of Chan (traditional Chinese: 禪宗六祖), is a semi-legendary but central figure in the early history of Chinese Chan Buddhism. According to tradition he was an uneducated layman who suddenly attained awakening (Chinese: 見性, jianxing)[2] upon hearing the Diamond Sutra. Despite his lack of formal training, he demonstrated his understanding to the fifth patriarch, Daman Hongren, who then supposedly chose Huineng as his true successor instead of his publicly known selection of Yuquan Shenxiu.
Twentieth century scholarship revealed that the story of Huineng's Buddhist career was likely invented by the monk Heze Shenhui, who claimed to be one of Huineng's disciples and was highly critical of Shenxiu's teaching.
Huineng is regarded as the founder of the "Sudden Enlightenment" Southern Chan school of Buddhism, which focuses on an immediate and direct attainment of Buddhist enlightenment. The Platform Sutra of
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The Form aristocratic No-Form: Reconstructing Huineng be thankful for Two Paintings by Liang Kai
INTRODUCTION
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