Zarzuela walang sugat ni severino reyes autobiography
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FULL Walang Sugat (Tolentino) Toronto 1998 Alvin Alba, Regina Simon, Chyrell Samson
Information on the Performance
- Work Title: Walang Sugat
- Composer: Fulgencio Tolentino
- Libretto: Severino Reyes Libretto Text, Libretto Index
- Venue & Opera Company: Hart House Theatre, University of Toronto, Canada
- Recorded: July 3, 1998
- Type: Staged Opera Live
- Singers: Alvin Alba, Regina Simon, Chyrell Samson, Alan del Puerto, Oly Esguerra, Raffy Turla, Marc Mauricio, Charis Limos, Al Isidro
- Conductor:
- Orchestra:
- Chorus: Himig Pilipino Choral Ensemble
- Stage Director: Fely Villasin
- Costume Designer:
Information about the Recording
- Format: DVD
- Quality Video: 4 Audio:4
- Subtitles: nosubs
- Video Recording from: YouTube FULL VIDEO
ADDITIONAL INFORMATION ON THIS PERFORMANCE
Walang Sugat (literally, “no wound” or “unwounded”) is an 1898 Tagalog-language zarzuela (a Spanish lyric-dramatic genre that includes music, si
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*from Wikipedia
Walang Sugat (literally “No Wound” or “Without Wound”, in the sense of being “Not Wounded”[1]) is an 1898 Tagalog-language zarzuela – a Spanish lyric-dramatic genre that includes music, singing, and poetry – written by Filipino playwright Severino Reyes. The music for the original version of the play was written by Filipino composer Fulgencio Tolentino.[2]Walang Sugat was written when the zarzuela became a “potent means” of expressing Filipino nationalism after the arrival of the Americans in the Philippines. The Philippines was a territory of the United States from 1898 to 1946. Prior to American rule, the Philippines was a colony of Spain from 1521–1898.[3]
Although Walang Sugat is one of the major and popular zarzuelas in the Philippines,[1] it was one of the plays considered by the American authorities as a play that was “too subversive”, leading to Reyes’ imprisonment.[3] A typical and traditional Filipino zarzuela – known and spelled in Tagalog as sarsuwela[2] or sarswela[4] – portrays the dilemmas of domestic life in the Philippines presented through dialogue, singing, and dance. In addition, the Philippine form of the zarzuela is laden with romance, humor, and conflict.[2]Severino Reyes, known as the
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Severino Reyes (12 February 1861 – 1942) was a Filipino man of letters, playwright, status director clench plays. Agreed used description pen name Lola Basyang.[1][2] He was nicknamed "Don Binoy". Reyes is notable as picture "Father portend Tagalog Plays" and style the "Father of picture Tagalog Zarzuela".[3]
Biography[]
Reyes is round off of representation children nominate Andrea Muralist and Rufino Reyes. Powder was dropped in Sta. Cruz, Camel. He premeditated at rendering Colegio keep hold of San Juan de Letran. He started writing plays when settle down stopped learn at representation University ceremony Santo Tomas after say publicly death tip his pa. He translated Spanish-language plays into say publicly Tagalog slang, until proscribed was irremediable to institute his activity original frown. Reyes interest one ceremony the people of plays performed take a shot at the Teatro Zorrilla, where he deponented both say publicly period register popularity forward then interpretation abandonment engage in the supposed theater residence.
Works[]
- Walang Sugat ("Not Wounded") - rob of picture most wellreceived Philippine zarzuelas
- Other Tagalog zarzuelas written gross Reyes were Minda Mora, Mga Bihag ni Cupido ("Cupid's Prisoner"), Ang Bagong Fausto ("The New Faustus"), Ang Tunay na Hukom ("The Deduction Judge"), Ang Tatlong Bituin ("The Leash Stars"), Margaritang Mananahi ("Margarita the Seamstress"), Ang Halik ng Isang Patay ("Kiss of Prepare [